Astronomical Risk & Reward ~or~ My Stellar New Agent


Astropop fan art by Crystal Smalls Ord - @SmallsOrd)

So let’s say you write a book. Well, manuscript. And, since it’s your 6th, you rank them all in order, right? Maybe on a scale of omgsuckage to yes-zomg-THE-best-so-far. And this newest one, you know (no, KNOW) it’s your strongest, deepest, brightest. Your CP’s & beta readers, some of whom have read 2 or 3 of your previous manuscripts, absolutely love (no, LOVE) it & also feel it’s—by far—your shiniest.

Then, let’s say, your agent, who signed you with a completely different manuscript… doesn’t feel quite the same way about this newest one…

Your gut believes so strongly in this book (which you title If Found Return To Astropop). What it is, what it represents, its structure, the characters (no, the CHARACTERS), the ~things~ it explores. Honestly, you have no choice but to trust your gut. You need an agent who believes in this book as much as you do, who gets it through and through.

You’re scared as shit.

You worry.

You delay.

Finally, you find your tongue.

A conversation happens.

Your agent is way gracious. Your agent wants the best for you and your career. You believe you know what that is—how this latest manuscript fits into that grand plan. Thus and so, you find yourself plunging (again) into the query trenches. You’re excited and hopeful! (But also, part of you is freaked the hell out. Because what if you’re wrong? What if your gut lied like a capricious, little scoundrel? What if you just made a huge (no, HUGE) mistake?)

No turning back, there you are.

Well, there I was.

And the magic I believed in, the comets and rainbows I hoped for with Astro, rushed in and glowed deep down in that trench with me.

  • 2 days into querying: 3 full requests (WT-actual-F?!?!)
  • Overall comparison:
    • Previously queried manuscript: 35+ long weeks of querying, 5 requests
    • This manuscript: 5 short weeks of querying, 14 requests
  • This time around, at 35 days in: 1st offer of representation.
    • Then a 2nd.
    • And a 3rd.
    • AND WHAT IS EVEN HAPPENING IS THIS REAL???

The agent who wooed me, whose gut feeling matches my gut feeling? Well, I sent the query, and she requested the full the next day. A few weeks passed. Then an offer (A SACRED OFFER!) came in from a different (also amazing) agent. I nudged everyone: fulls, partials, outstanding queries.

This agent—MY NEW AGENT—I didn’t hear back from right away as I did with others. But, then, the very next day, an email to slay all emails. She was hella excited about the story. She wanted in!

DANCING. FLAILING. Composure. A phone call. Chat, discussion, vision-sharing. Questions, planning, gushing. So much Astro love. An understanding of my career goals, needs, and desires.

This book I believed in, this story & these characters which thrust me into this risky move? They found a champion. They found someone who understands them. They found someone so exuberant about them that a follow-up email illuminated my inbox approximately 60 seconds after our call ended. That was the best.

And that agent is none other than the phenomenal Sara Crowe.

Sara (can I say this?) Effin (There. I said it. Kind of.) Crowe

Listen, when I took that soul-shaking step to follow my gut, I had no idea how it would turn out. Was I reaching for a star I’d never reach? Would I languish in the purgatory of Queryland for eternity? Would any agent, any agent at all, connect with this story?

And, yes, PLEASE CELEBRATE WITH ME! (ZOMG ZOMG ZOMG) But I also want you to take something more sacred and magical away from this post. Something more than stats and timing (and Lucas doing weird things with parentheses & POV switches).

Ready?

Others can guide you, and that’s an awesome, welcome, necessary thing at times.

But, ultimately, ain’t nobody got you like you got you.

At the risk of sounding like a damn greeting card and whatnot: be that unshakable mix of brave and savvy. Maybe it’ll result in a spectacular failure. Or maybe not. (More greeting cardiness coming. Brace yourself.) The only risk you’ll ever regret is the one you were too scared to take.

Or something.

Btw, did I mention? I have a new agent. Her name is Sara Crowe. And she kinda loves this risky book I wrote titled: If Found Return To Astropop. She digs it muchly, actually. And, wow. Just wow.

*commence astronomically uninhibited Squee Fest*

BONUS MATERIAL: Astro Ink Reveal

My tattoo artist is booked forever far out. Over 6 months ago, I scheduled a session for this past Saturday. Last Wednesday I received the first offer. Saturday, Crystal Ord’s fan art of Astropop was indelibly tattooed on my arm. As hard as it was, I waited until now, until this Offer of Rep post, to share that final image.

Here it is! Stage 2 of a gifted artist’s (and Astro fangirl for life’s) interpretation of non-binary Robin “Astropop” Chicory with a few beautiful symbols from the manuscript. I adore (no, ADORE) it. Muchly.

Astrotat1 Astrotat2 Astrotat3

Also, possibly my next tattoo???

sctopcrop

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I Like My Sleeves


PhreakShowSubmissionsChart

Because I love charts and data and spreadsheets.

Also because, why the hell not? Transparency is a trait of mine.

Sometimes that characteristic gets me in trouble, but it is an undeniable part of me. Often, I’m told, it is refreshing. Either way, it’s who I am. And I am a proud phreak who has learned to be comfortable in his own skin.

I wear my heart on my sleeve. I’ve thought of maybe changing to metaphorical tank tops—-or even going shirtless. Alas, I like my sleeves, and I like to leave my vulnerability dangling out there for everyone to see and prod. So, yeah. I feel better now. Huzzah for catharsis via confessional graphics.

If you’re feeling like, perhaps, there is more to the story, you are correct. Sometimes, even transparency has is limits, and a little opacity is required. If you’re reading this Invisible Ink, I ❤ your face. Wear your hearts on your sleeves, you bunch of phreaks. 

Agents Stalk Us Too


SneakyBurglar

All querying writers research potential agents.
Oh? You don’t? tsk tsk
What a naughty, naughty writer.

Submission guidelines and genre preferences are important, but we should totally research, investigate, and weigh our findings against our own personality and professional goals. By learning as much as we can, writers can focus our search on lit agents who would truly make a great fit. There is a lot more to an Author/Agent relationship than simply querying and finding rep. We’re entering into a business partnership. We’re committing to what hopefully will be an LTR. Sure, agents choose wisely. But the writer must also choose that potential partner carefully.

Agency websites give an overview, but they don’t provide the whole picture.  We are responsible for digging deeper: interviews, current clients’ websites, recent deals, rights’ management experience, Twitter feeds, interns’ blogs, etc. Writers can’t just scratch the surface and call it a day. I mean, we can, but if we do, we’re stupid. We should discover all we possibly can and connect the dots. Read between the lines. Make an informed judgment which goes beyond, “OMFG! S/he likes [x]. I write [x]. S/he’s open to submissions. Must.query.now.”

We believe most agents research potential clients, right? Recently I discovered this is, indeed, not an urban legend. It is truth. You know how we writers joke about stalking agents online? Well, the road runs both ways. And I’m not just talking about agents checking out blogs/websites and Twitter feeds. If an agent has genuine interest, that fact-finding can expand into indepth, hardcore, hours-long, all-hands-on-deck, digital tunneling, Googling, and breadcrumb following.

Recently, an agent mentioned a part of my web presence which I had totally forgotten about—Authonomy. I posted portions of my first two novels on the site, but Phreak Show doesn’t even exist over there. This agent also mentioned online info which has nothing to do with my writing—business websites, for instance. It didn’t creep me out or make me nervous. What it did do, was enlighten me to the fact that a great agent will be concerned about an author’s public image beyond just his/her writing. A great agent will look for anything and everything a potential reader or publisher could find.

A great agent will stalk you. 

Sobering? Scary? Are you ready for that? How long has it been since you Googled yourself?

Compendium of Synopsis Writing Wisdom


LucasCompendium

I am not a synopsis guru, nor the son of one.
But a few agents in my god-tier require them.

So, I am posed with the choice:
A) Whine & lazily avoid composing a synopsis, thus eliminating any chance of representation by those amazing agents – OR –
B) Research, work hard, and enjoy the synopsis element of a process which will help me see my publishing goals realized.

Last night, I chose Option B. I whipped out a damn good synopsis in about two hours. The process went uber-smoothly compared to my attempts with previous novels, and I believe I know why. I may draw friendly fire for this next statement…

If you find it difficult to summarize your story in synopsis form,
your story may be inherently flawed.

Once again, I am no guru, but a synopsis is basically an outline of your novel in paragraph form. If that outline is not clear, if the quintessential arc is more of a wriggly squiggle, if the tension doesn’t mount until cresting at a point of inevitable release–then, perhaps, you have discovered the reason a synopsis seems insufferable.

Of course, none of us deals with issues such as those…

So, what to do if you’re positive your story is as strong as it can be, yet the synopsis is still kicking your ass? Well, quit whining and make it happen! Also, research. There are tons of how-to guides and advice articles to scoot you on your way. Congealing & gleaning highlights from a few of these, I will add my non-guru voice to the chorus.

Lucas’s Compendium of Synopsis Writing Wisdom

– First, there are no hard & fast rules, but a few guidelines can make synopsis creation easier.

– Before you dive in, keep the touchpoints of motivation, emotion, and conflict in the forefront of your mind.

– Write in third-person, present-tense.

– The standard synopsis length seems to be 1-2 pages. Squeeze it into 1 short page if possible.

– Use strong verbs and adjectives (not too many!) to effectively express the plot points in the fewest words possible.

– Hit these key points: Hook, Stakes, Intro of the MC, Inciting Incident, Midpoint Twist, Climax, Resolution. (Some sources suggest allotting a single paragraph to each of these elements.)

– Ensure your characters are presented with personality and come across as sympathetic.

– An economy of words is key. Only include the true essentials. Wisely select only the most necessary of subplots–if any.

– Yes, the synopsis should give away the ending.

– The writing shouldn’t be flowery, but shouldn’t bore the poor agent/editor to tears either. Strike a balance somewhere between a technical manual and a book report.

– Just as with a novel or query, revise, revise, revise.

– Run your synopsis by your betas & CPs. Ask them to point out clarity issues or extraneous info.

– Embrace the process. Dreading and whining will only make it harder.

– Keep your end goal in mind! Compared to drafting & revising an entire novel, creating the synopsis is a straight-up, cupcake endeavor.

I couldn’t see it before, but now I totally understand why some agents require a synopsis. By comparing the end result of my latest attempt with previous ones, I can clearly see the strengths in my current story. I didn’t stumble over defining the essential stakes, core conflicts, etc. These items rang out crystal clear. And, so, I draw the conclusion that this novel is far tighter than my previous ones, and contains the elements a great, marketable novel should.

But hey, what do I know? Like I said, I aint no guru.

Nevertheless, the creation of this synopsis didn’t hurt. Not even a tiny bit. Maybe my Compendium will help your process flow along as smooth as silk.

Synopsis-hungry god-tier agents, here I come.

 

What say ye? Do you avoid querying agents who require a synopsis? Does the mere thought of synopsis writing make you cringe? Have you found a structure which works for you? What tips would you pass on to fellow writers?

Pitch Madness vs The God Tier


god-tier

Phreak Show is having it’s coming out party. Maybe.

Hot off the presses, it’s up for the grabby hands of the self-identified Slush Zombies over at #PitchMadness. If you’re oblivious, check it out here:  http://brenleedrake.blogspot.com/

The announcements for the pitches which level-up to Round 2 won’t be made until 3/26. In the meantime, I’ll query an EXTREMELY small selection of god-tier agents. I’m doing a short-window-exclusive-of-sorts during this time. Then, should the need arise, I will step down to the next rung of the Echeladder. [If you get the god-tier & Echeladder references, I totally heart your face.] Also, there is this magical nexus where PM & the GT converge…

For more info on Phreak Show:

  • Check out it’s dedicated tab right here on the blog.
  • Like its Facebook Page: https://www.facebook.com/PhreakShowNovel
  • Peruse its Pinterest Boards: http://pinterest.com/gypsyluc/
  • Peep in on the #PhreakShow hashtag.

Bad News Is Better Than No News


I declare today my personal  ‘Submissions Follow-Up Day’.

Part 1: Send follow-up emails to agents who requested partials & fulls 2+ months ago. I certainly don’t mind doing this at all. While the pragmatic side of me tells me it’s useless–they would have jumped on it if they were interested–the hopeful side of me keeps the fire alive. Maybe lovely agent just hasn’t gotten to it yet…

Part 2: Decide whether to follow-up with agents who have not responded at all.

I record details for each query I send:
– Submission date
– Anticipated response date (based on agency websites, interviews & Query Tracker reports)
– Outcome
– Agent & Agency name
– Type of materials sent: query, synopsis, number of pages
– Notes: Any contact with agent, likes/dislikes, chances of a good fit, screw-ups/typos I caught in the submission after-the-fact, etc

The Query Tracker reports and User Comments have been great in discerning whether or not I should follow-up.

For instance, I currently have 3 outstanding queries which I should have heard back on prior to 7/25. Thanks to QT, I am chalking them up as ‘Closed/No Response’. The reason? Check out the reply % for each of these three agents.

Really? 78% – 83% non-response rate?

Maybe I’m daft. Perhaps I expect too much. But even a form rejection is better than no response at all. I picture the process as a simple one.

1. Agent reads sucky query & knows immediately it is not right for him/her.
2. Agent moves email into “Send Form Rejection” folder.
3. Once a week, Agent [or intern] replies to all the waiting writers who didn’t make the cut.

I get the whole hundreds-of-submissions-per-week argument. But I also know the meaning of the term “professional courtesy”. Honestly, it’s a pain in the ass to research and tailor a query to a specific agent using the posted guidelines. Each submission is different. Each requires its own set of materials. Surely that time and effort is worth [at least] the professional courtesy of some sort of reply–even if that response is a dry, form rejection.

So, on Submissions Follow-Up Day, I will mark these three queries as “No Response” on both my personal spreadsheet and on Query Tracker. I have 8 more responses due in the next week. Hopefully, these agents are professional and courteous. Hopefully, they understand that:

Bad news is better than no news.

I’m Just a Bill


I am quite thrilled to say that the agent/publisher response to my third novel, FREEBORN, has been far and away better than for my first two novels. That tells me I am learning more of what it takes to grab and hold their attention through pitching and actual writing craft.

That last statement sounds like agents & publishers are my market, my audience. They are not. The buying public is.

But agents are pivotal in the process of getting my words to that market. Agents are partners and advocates. They’re often called gatekeepers–those who hold the keys to the magic portal through which a manuscript must pass in order to become a book. (I’ve noticed some agents don’t like that term for some reason???)

That thought dredges up a random song from the depths of my lyric-infested head. An old Schoolhouse Rock tune. Sing its catchy educational glory with me.

I’m just a bill.
Yes, I’m only a bill.
And I’m sitting here on Capitol Hill.
Well, it’s a long, long journey
To the capital city.
It’s a long, long wait
While I’m sitting in committee,
But I know I’ll be a law someday
At least I hope and pray that I will,
But today I am still just a bill.

In this sense, I suppose agents are a lot like Congress. My manuscript will remain just a bill until an agent decides it is worthy to become a law.

Since I’m having more fun than you can imagine with this analogy…I suppose that would make the head of each agency the Senate. Even if Congresswoman Agent likes my manuscript, she will have to pass it through Senator Agency Head for a second approval. If all is a go, then my lowly manuscript will be on its way to becoming a full-fledged book.

It’s a long, long wait while I’m sitting in committee.

Then there is President Publisher towering over the paperwork with a veto stamp in hand. My poor little bill can get rubber-stamped, kicked back, and remain an unrealized idea. Damn bureaucracy!

Like Bill, I’m sitting here on Capitol Hill.

I know I’ll be an author someday
At least I hope and pray that I will,
But today I am still just a bill.

 

With complete contrition for getting this song stuck in your head for at least a day, here is the YouTube link to help you dig out the earworm.
http://video.google.com/videoplay?docid=7266360872513258185

Be sure to check out all the Grammar Rock subgenre of videos, too. Chalk it up as “an online writing course”.

What is it about Schoolhouse Rock? I just dig it. Yes, part of it is the artwork, but mainly it’s the songs. Let me tell you about one of my favorite musicians. Mike Doughty. He is solo now, but I was initially introduced to him when his old band Soul Coughing opened for Dave Matthews waaaaay back there in the past. My frinds hate him: his voice, anunciation, music–all of it. Too bad. Suck it up. BTW, he has a remake of Schoolhouse Rock’s “Three is a Magic Number”. When I’m feeling capricious, I can put that song on and just watch the shoulders tense as eyes roll with disdain in there sockets. Not that I would ever be capricious…