Phreak Show Ink – Jamie


Tattoo - Jamie 1

Adorbs cyclopean Jamie

Tattoo - Jamie 2

Adorbs cyclopean Jamie

Awww…I think Jamie is so cute. He’s on my tender, fishbelly forearm just like on his big sister Tera.
Only she was expecting a perfect, beautiful memorial to her baby brother. Not a phreakified, one-eyed version…

This was (surprise!) the first cyclops baby Joe has ever inked.

OFFER OF REP! (and why, this time, I said yes)


The Phortune Cookie

The Phortune Cookie’s Phortune

UPDATE 4/6/15 – The story below is an amazing one! For an update on my current agent status, this post will help clarify: https://lucashargis.com/2015/04/03/querying-in-a-surreal-sort-of-way/ And please feel free to contact me if further clarification is needed.

Do you have beliefs you don’t really commit to, yet can’t really rule out as false? As in: I don’t know…aliens & ghosts & magic & sasquatches & such might be real…I’m not totally convinced, but I’m fine to not pass judgment either way. Well, I feel that way about a lot of things. [Post-modern? Trait of Gen X? Whatever.]  One such ?belief? is the concept of phate. And separate from that ideaI definitely believe in synchronicity—a kind of interconnectedness that can’t be explained by empirical or scientific means. This story is filled with [eph it! I’ll say it!] hints of magic & phate synchronicity. Like, I Skype-interviewed one of my agent’s clients about fire-breathing for some scenes in Phreak Show. And, FTR, that was before @ChristinaFerko was her client. And there was this day where this agent rejected offering me rep, only to have a phortune cookie reignite her love for the phreaks, ping her with regret, and cause this cool phoenix-from-the-ashes thing to happen. Then there was a bottle of nail polish. One of the agent’s assistants ordered a blind grab-bag of nail polishes from her favorite website. When it arrived, she eagerly unwrapped the polishes to check out her goodies. One of the polishes is pictured below. She emailed her agent-boss immediately and said: “I don’t know if you made your decision already, but if you didn’t, I think the universe is trying to tell us something… ”

Nail polish

“Freak Show” nail polish
[Obviously, they spelled it wrong]

FLASHBACK: I drafted PHREAK SHOW,  my third novel, during last year’s NaNoWriMo. Before the manuscript was fully edited & ready for querying, I created a page for it on this blog. Well, on January 9th of this year, an agent stopped by and left this comment:

This sounds great. One of my interns sent me this link. Please keep me in mind when your manuscript is polished and you are ready to submit to agents. ~Louise Fury

You can imagine the ridiculousness that popped and sparked inside me. (Yes?) AN AGENT COMMENTED ON MY BLOG! SHE approached ME about my premise! AND SHE’S ON MY SHORTLIST, BUT CLOSED TO SUBMISSIONS. HOLY $^*$%@<%^%?%$@#&&^*#+=?^&&!!! CRAP. NOW I NEED TO FINISH THESE EDITS. I’m an organized dude with color-coded spreadsheets, timelines of queries and all agent contact, feedback, and whatnot. I could lay out a twisting roadmap of every single email, phone conversation, DM, revision step, length of waiting between interactions, etc. But I’ll spare you, and condense it all down to a few, key elements. And what I hope you’ll take away from this is the diligence, persistence, and patience involved. – 1/9/13 – Blog comment expressing interest – 3/17/13 – Query – 3/18/13 – 5 chapter request – 3/22/13 – Full request – 4/6/13 – Phone call [But not THE call. Damn it.] – 4/11/13 – Submitted R&R #1 – 4/12/13 through 9/9/13 – Sporadic conversation, chat via email. ~~~w.a.i.t.i.n.g.~~~ – 9/19/13 – Sent email alerting to an Offer of Rep [Note: 6 months after Full sent] – 9/28/13 – MORNING: Declined to offer [And I wish I could post this whole email for you. Because awesome.] – 9/28/13 – EVENING: The Great Twitter Phortune Cookie Phreak Out Phenomenon of 2013. Followed by a series of DMs. – 10/12/13 – DM “The cookie has spoken. Let’s talk.” – 10/13/13 – Phone call. [REALLY! AGAIN!? NO OFFER!? ANOTHER MINOR R&R!? Fine, but this is my last one. I’m done after  this if there’s no offer. PUT A RING ON IT!] – 10/13/13 – 10/16/13 – Worked my ass off on rewrites of Chapter 1: CP’s, betas, the whole deal. [Thank you, people!] – 10/16/13 – Submitted R&R #2. This one was all or nothing. Phingers crossed. – 11/2/13 – A nudge… – 12/3/13 – Another nudge… And a response! “I am glad you emailed. Let’s talk today and wrap this up?” Now, I had no idea which way this “wrap up” would twist around me. But, honestly, I was straight chuffed to finally have some sort of closure either way. This process turned into a long, emotional one, and there were moments where the pendulum swung from  I HATE FURY! to OMG, I LOVE HER! with a lot of WHY THE HELL IS IT TAKING SO LONG? in between. There were multiple times when friends and loved ones talked me down from the cliff, kept me sane, prevented me from: nudging too soon (or too often), venting online, or sending some sort of ultimatum email I’d regret. Patience (damn the blasted thing) was key. Hard, but essential. Obviously, you know how it wrapped up. This past Monday, 12/3/13, Louise Fury, Phreak Show’s agent, phinally put a ring on it. But I still need to answer the why part of why I chose to accept. Because Louise loves the phreaks, their story, my words. She gets it. (And, I believe, she gets me.) She also has a vision for the phreaks—one that’s gonna suck like mad to bring about, but is going to end with Phreak Show being the best it can possibly be. I love her today. I might hate her in a month. And she might hate me back. But then we’ll circle back around, and look at our rings, and be all like: Awww! We made it! Look at our Phreaky baby on a shelf, in the hearts and hands of readers, which is the whole point. I said “yes”, because I believe Phury, her amazing team, and I share a common love for the phreaks and can work together to share their story with the world. And, come on! Synchronicity involving phire-breathing clients, a phortune cookie, and nail polish!?!? I’m pretty sure that’s, like, magic or some shit.

Phreak Show Ink – Tera


Tattoo - Tera (2)

Tattoo - Tera

My Phineas tattoo is very angry this week. So, for Tera, Joe decided to pull back and not hammer the ink in so hard all at once. Once this initial layer heals, he’ll go back in and add cool tones to Tera’s shadows.

Symbolizing Tera’s phreaky gift was a bit of a challenge. We decided to go with some layering on half of her face. This will pop out a little more once the cools are added.

Phreak Show Ink – A Sleeve of Characters


Placement of Tera (misspelled by my assistant), Romeo, Niko & Phineas

Placement of Tera (misspelled by my assistant), Romeo dropping down from her banner, Niko – Prince of Torture perfectly place by the elbow (gonna suck!) & Phineas w/ his top hat

A funny cylops-blob for Jamie (on the fishbelly, of course) and Jules on the sensitive underside

Doug Doug the Dimwit high on my shoulder, Jules on the sensitive underside (ouch!) & a funny cylops-blob for Jamie (on the fishbelly, of course)

Mantis blob with Lil Diva propped on her hip (top),

Mantis blob with Lil Diva propped on her hip (top), Jules wrapping him/herself around, Mama Snow by my wrist

Twiggy on the outside forearm,

Twiggy on the outside forearm, a glimpse of Mana Snow beneath her

I had to take a pause in my NaNoWriMo drafting for Epistle of Doff this morning. Reason: to consult with my tattooist on the sleeve images for my completed novel, Phreak Show.

Joe has purchased skulls and such from my business & does amazing ink work. When the idea to immortalize my phreaky characters hit me, I decided to return Joe’s patronage. His earliest appointment was 7 months in the future. That future arrives next Saturday.

Since NaNo means slacking on the blog, I figured the email I sent to Joe this morning was a way to show it some love. So here it is, chock full of links and words. I’ll be chronicling the sleeve as it progresses, so y’all might as well get in at the planning stage.

~~~~~~~~~~~~~~~~~~~~

Joe~
 
Lots of multimedia/data resources for this sleeve. Take a breath, give your creativity a good whack to get it cranked up, and dive in.
 
Here’s a copy of the original facebook msg I sent you back in May, with my thoughts on the style.
 
I want to do a sleeve of tats over the next couple months consisting of the characters from my latest novel, Phreak Show. It’s a Young Adult Fantasy, set in a modern-day sideshow with some steampunk/Victorian & magical tendencies.So, the characters are basically sideshow performers/freaks. I’m envisioning a bit of New School flare in coloring and style, with some high-contrast black, fused with some elements of old sideshow banner art.I can, of course, totally dredge up base images and we can work on the designs from there. But, I’m thinking how cool it’d be for the artist to get a vibe for the characters through reading the book. So, yeah, let me know if you’re game.
 
Here’s a link to my Pinterest. There are a few boards with labels starting with “Phreak Show” which have my inspiration images for the characters, clothing, jewelry, etc for the book. http://www.pinterest.com/LucasMight/boards/
 
This one specifically has the cabinet cards I made up for each character http://www.pinterest.com/LucasMight/phreak-show-cast-steampunk/  It shows them in their “everyday” forms, but I want the tattoos to add the element of their transformations into their sideshow personas like: Twiggy the Blubber Girl, The Prince of Torture (a tatooist!), etc. The original, color images I used are here: http://www.pinterest.com/LucasMight/phreak-show-castoff-images/ and these may be more helpful for reference purposes.
 
I’m thinking just head & shoulders for each one, with a ribbon/sideshow banner beneath with their sideshow names.
We have 8 appointments scheduled, right? There are a total of 8 (or 10–depending on how they’re counted) separate character images. Plus the smoky, colorful ribbons of “aether” to fill the spaces in between. So, I guess we’ll have to see how to work those all in? Or schedule some future dates to finish? (If I don’t go broke first!)
 
I laid out the rough outlines/placement I have in mind. Pics of my (roughed in) sharpied left arm are attached.
Roughly, here’s the order of inking I’m thinking. Totally open to your input. Maybe we can squeeze multiple characters with close proximity in during a single session:
– Phineas – top of forearm http://www.pinterest.com/pin/354377064398218339/ (This image is pretty spot-on. Love the dark shadows, but would like deep colors mixed in so it’s not solid black. Def want his signature eyes to stand out–they’re milky-blue, covered in cataracts)
– Tera – outside of bicep http://www.pinterest.com/pin/354377064398272931/ In the story, she transforms to look like other people’s worst fears. So, not *exactly sure how to represent that…Also, she wears a heavy hood to conceal her face until the transfomrations are complete, so that might be an element to incorporate as long as her fiery red hair is still partially visible. (Romeo, a copper monkey may hang from her banner into the crook of my arm)
– Niko – perfectly placed for the Prince of Torture…near the elbow. A combo of this image http://www.pinterest.com/pin/354377064398218239/ along with shirtless Adam Levine http://www.pinterest.com/pin/354377064398218378/ (For the ink, half of his face ‘normal’, the other half tattooed and pierced
– Jamie – top half underside of my forearm (no image of him on any of the boards – he’s the Tera gets of her baby brother – only effed up into a cyclops baby)
Those are the first 4. I’m thinking we can decide the order of the rest and space them out as we go, using the sharpie template along with sizing as a guide for their placement.
 
I’ve also attached the manuscript. If you want to check it out, the main character, Tera, gets an effed up tat in chapter one, then enters the Phreak Show at the end of chapter 2. After that, the sideshow personas of the characters unfold over the following chapters. 
LAST LINK! lol – http://www.pinterest.com/LucasMight/tattoos-steampunk-otherwise/ This board will give you an idea of the types of tattoo styles/coloring/imagery I’m drawn to. I don’t want to dictate the style so much as I want you to interpret my ideas into your own Joe Crossman style. As long as the ink is helz-yeah-phenomenal, and consistent throughout the whole sleeve, I’m pretty open.
Thanks, man. Look forward to seeing what you come up with.

Lucas

~~~~~~~~~~~~~~~~~~~~

Joe doesn’t know it yet, but I plan on typing with my right hand in his shop next Saturday. NaNo is live & Doff wants out of me. There’s no reason [other than the pain of metallic, pissed-off wasps hammering into my flesh] I shouldn’t keep hacking away at the next novel while getting inked with characters from the previous one.

Whether Phreak Show ever gets traditionally published or not, I absolutely love the characters and their story. Will I regret immortalizing them in my skin forever? Absolutely not. As long as Joe doesn’t eff things up for me like Niko did for Tera. Or did Niko really mess up her tattoo of Jamie…?

OFFER OF REP! (and why I said no)


guy kneeling crying

Please, put down the torches and pitchforks.

I know how that title sounds. I never, ever imagined I’d turn down an offer of rep from an agent. But I did. I had to. It was a difficult thing to do, but maybe not for the reasons you might think.

It all started with the most recent #PitMad event. The day job was busy sucking the life out of me, so, the night before, I scheduled a few Tweets to jump in and scrap with the thousands of others vying for attention in the stream. By the end of the day, I had two requests: one from a small pub & one from an agent. Right away I knew I wouldn’t submit to the publisher. Because, you see, I’ve made the personal decision that I want an agent fighting by my side, adding value, experience, and wisdom to this passionate dream of mine.

So that left me with an agent who wanted to see more than the (exactly) 140 characters: Tera joins the crazy-twisted Phreak Show where she must embrace the truth: being a freak isn’t about looks, it’s a frame of mind #PitMad YAF

I’d previously researched the agency *a little*. My mind couldn’t instantly dredge up any black-listed reasons not to submit. Plus: AN AGENT WANTS TO SEE MORE OF MY STORY! Once I got home, I hunted the sub guidelines and shipped off the query, synopsis & first 25 pages. I grabbed some dinner and nonchalantly strolled into my weekend.

5 days later, this arrived in my inbox:

I’m absolutely obsessed with this. Your concept looks really tight and the message is just awesome. I think there is something so real about this, but you are entertaining instead of didactic. I could go on and on, but suffice to say I’m fangirling : ) I would be delighted to give your full manuscript a read.

Of course I did a celebratory jig (a cross between Riverdance & walking on hot coals) & sent it right over. An agent. Fangirling over my words! And only then did I do the in-depth research I should have.

Uh-oh.

As this process progressed, a half dozen of my fellow writers, CPs, and an Assistant Agent friend all suited up & went into research-war with me. There were a lot of questions marks, which twisted into perplexities, which then flared into big, flaming red flags.

– Predators & Editors only noted: slow response time to queries. [Well, hell. That’s 75% of all queries I’ve ever sent…]
– No agents with the agency are members off AAR. [Okay, well I know of some top-notch agents who aren’t…]
– No clients listed on the agency website. [Okay. Wait. What? You’ve been in business for years…Your website is a basic (and easy) venue to champion your authors’ work. If you’re not showcasing your clients & their books on your own website, then what kind of marketing value are you really adding?]
– Twitter digging, following the rabbit down its hole, unearthed a few “clients”. [Hmmm…few and far between. The quality of the book covers look little better than something created in MS Paint. Are these self-pubbers? I smell fish.]
– Even though the agency (and its parent Talent agency) has been around for years: no sales listed. None. Anywhere. [Slow the eff down. Even if the agent (for whatever reason) chose not to post sales, then the Editor, or the even the author most likely would. Right? HOW CAN YOU BE IN BUSINESS FOR YEARS AND NOT HAVE ANY PUBLIC RECORD OF SALES?]

And as a few more red flags were firmly planted: that dead fish smell clung to me, my manuscript, my misconception that landing a full request is always a good thing.

THE NEXT DAY: My phone rings during my commute home. I don’t recognize the number. It’s the agent. I pull over. I whip out my notebook, access the mental database of all those questions & red flags in my head.

I absolutely LOVE this. Love.it. The aesthetic you created is perfect for this concept, perfect for YA. The quirkiness is really good; weird in a good way. Your characters are a BIG strength; they feel so real. The whole story felt really emotional without sacrificing plot. It’s so hard to balance characterization, worldbuilding and plot, and you did it beautifully. That’s evidence of a great writer.”

Lucas’ brain: She’s genuine. She reallymeans every word. Damn, those words feel good. Why, oh why, does this have to smell like a Red Lobster’s dumpster?

I’d like to offer you and your phenomenal book representation.

Lucas’s brain: Oh fuck does this suck. Hard.

I dig into my questions: carefully. I ask about the things giving me major pause (or, actually, damn-near a full-on stop). She answers. She’s super nice. Her personality is vibrant, cheery, and wonderful. We’d get along great outside of the whole agent-author relationship thingy. Oh yeah. That’s the whole point. A knowledgeable agent guiding me through the process, selling-the-hell-out-of-my-book, connecting with contacts I don’t have, championing my story, fighting alongside me to make this passionate dream of mine a reality.

I have other fulls out, so I need to nudge those agents and give them the opportunity to offer. A week ought to do. I ask for a copy of the agency’s contract to look over. I can text or email or call anytime with questions or concerns.

I’m torn. There’s no way I can accept this offer. But, at the same time, in an ooey gooey part of me, this is the call I’ve been working SO HARD to receive for years now. THIS EFFIN SUCKS.

If the red flags smelled fish-like, the contract is the bloody meat of every fish who ever died, piled on a shit-covered beach, rotting in the boiling hot sun while zombie skunks spray musk on the stinkbugs chewing on the eyeless corpses. You think I’m exaggerating. I’ve seen a few agency contracts, so I have comparison points. I work with contracts & legal docs in both my day job and in my own business. This contract isn’t for just this project, but basically for your creative soul. The Author’s Work is defined as:

“…all ideas, story materials, characters, situations, formats, and works of authorship which Author has created or creates during the term of this Agreement…”

That feels pretty all-encompassing. “Ideas” are included? And what’s with the “has created” phrase? The word “irrevocably” is used too many times throughout the contract. The clauses involving how the contract can be terminated revolve around a very specific period in time; not just with 30 days written notice, which seems to be the standard. With each new work, the contract auto-renews & resets the clock & the termination clause. The continuation of residual commissions is scary when combined with the agreement’s definition of the Author’s Work. If things weren’t fishy before, this contract alone would have been enough to lead me to a no.

My deadline for getting back to this agent arrives. My gut wrenches as I dial the number. And I’ve heard agents say this before: rejections suck no matter which side of the conversation you are on. This isn’t true with queries or partials, I’m sure. Probably not even with a lot of fulls. But here, with an offer of rep before me, knowing and believing that (despite all the salmon) this agent truly & genuinely loves my work, I feel so awful saying no. And not for my sake. Not because I feel like I’m losing something, but because this agent feels so strongly for my manuscript. My heart hurts because she has expectation and hope. And I’m the one dashing it against the stones.

It bites when agents give you a generic rejection, which leaves you wondering But, really, WHY? It’s harder this way (on me), but I’m super-honest and straightforward with her on the reasons why I am declining her offer. She is gracious, but sadness tinges her voice.

I received an offer of rep. And yet, I had to reject it.

But the story doesn’t end there. Since I rejected that offer, I expanded the deadline: for reasons. Baited hooks still dangle in the sparkling water, with the possibility of reeling in an agent with the passion, experience, and wisdom worthy of a yes. It may or may not happen this round. I’ll keep you posted. Thankfully, there are fish in that wide, open sea who don’t smell fishy at all.